![]() ![]() In 1916, however, he had to go to a hospital to recuperate. Eventually, he was accepted into the medical corps at the front. When World War I broke out in 1914, he was rejected by the military because of his weak health. As a pianist, he performed only his works even as a conductor, his technique was barely sufficient to warrant the performance of his music. Ravel never married and took virtually no pupils he was never on the faculty of any school. Other works are deliberately austere in their classical clarity, especially his piano music. He wrote Daphnis et Chloé for Diaghilev’s Ballets Russes another ballet, Boléro, became Ravel’s most spectacular success as an orchestral piece. ![]() An exuberance of exotic colors characterizes his ballet Daphnis et Chloé (1912), his opera L’heure espagnole ( The Spanish Hour, 1907-09, revised 1911), song cycles, and virtuoso pieces for piano ( Miroirs, Gaspard de la nuit). Ravel adopted ideas from Igor Stravinsky, Spanish and Basque folklore and jazz, and the music of the Baroque period. Ravel’s name became known in France and other European countries, but for many years he was still considered an ultra-modernist. Ravel’s method undoubtedly has parallels with Debussy’s, but there were also important differences and in part, he anticipated Debussy’s developments. By now Ravel had written a number of his most famous compositions and was considered a talented disciple of Claude Debussy (1862-1918) as an Impressionist. Suspicions of unfair nepotism led to a crisis at the Conservatory. Ravel won the 2nd Prix de Rome in 1901 with the cantata Myrrha subsequent attempts to win the Grand Prix de Rome were ultimately unsuccessful. In 1897, he returned to the Conservatory to study with Gabriel Fauré and André Gedalge (1856-1926) during this period, Ravel wrote his famous Pavane pour une infante défunte ( Pavane for a dead princess) for piano (1899). He left the Conservatory in 1895 and finished work on several compositions the same year. In 1889, he entered the Paris Conservatory. After the family moved to Paris, he began taking piano lessons in piano at age seven and lessons in harmony at age 12. Maurice Ravel’s father was a Swiss engineer, and his mother was of Basque origin.
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